Saturday 20 July 2019

The Lion King (2019) - Review

Review:

*Originally written July 20th, 2019*

The original Lion King is no doubt my favourite film Disney has ever released. I remember when this was announced I was actually quite excited for it, as I quite liked the Jungle Book remake and a couple of the others. Then something changed, maybe it was me or just the fact I just started to quickly see the rapidly declining state of cinema as these live-action Disney remakes got churned out faster and faster. I mean, this is only the third of five planned films this year alone. I lost all my will towards these after the dull Aladdin.

It turns out my fears were founded. We've dug this property out of its graved, given it a $200 million coat of paint and failed to do anything unique or interesting with it. Yes, it's competently made as it goes through a story we've seen previously beat for beat, but it never amounts to anything close to exciting or capturing the magic from Disney's long gone glory days. 

It's the law of diminishing returns in full effect. I'm okay with remakes as long as you do something interesting and change it around a little. Hell, I give Tim Burton's Dumbo even more credit now for at least straying away from the original film and taking the story in a different direction. This just regurgitates a story with seen before. It lacks any sort of surprise or tries to do anything to make it worth retelling the story. It's just so lazy and cynical.

The most annoying thing is the fact it's very competently made. The CGI effects here bringing the photo-realistic animals alive are genuinely incredible and are incredible to look at. Simba as a cub is insanely cute and easy to get attached to, while Scar still has his intimidating design that makes him a great villain, but lacks Jeremy Irons sinister voice performance. 

While the animals do look insanely realistic, it also works as a disservice to the story. The 2D animation of the original film made these characters very emotive and easy to care about. This "realistic" depiction has a harder job as the characters here do not emote at all. It's very strange and makes it hard to feel anything when they go through the emotional beats. They always just look like animals who's mouths move, but their faces stay the same, it's so weird and off-putting, taking me completely out the film. It's strange, as they managed to pull this off a lot better (From what I remember) with their Jungle Book remake, but 3 years on, the realism of the animation is better, but completely takes you out the performance and fails to create an emotional bond with these characters, despite the Hamlet inspired story and script unfolding more or less shot for shot.


The star studded cast are very hit and miss. There are some very inspired performances that work, like John Oliver as Zazu and Seth Rogen as Pumbaa, who were both surprising highlights for me. Everyone else though, sadly failed to leave an impact on me. It was cool to have James Earl Jones back as Mufasa, but that must have been an easy paycheck for him, just replicating his performance from 25 years ago for an each paycheck. Barely any of this cast came close to capturing the charm of the original. Shame they didn't have cameos from any of the original cast, although Matthew Broderick is probably too busy killing women in car "Incidents" (The word "Accident" would imply no one is to blame) in Ireland. 

This film is going to make over $1 billion and it's inevitable. It's fine. I have no faith left in cinema anymore and these live-action remakes aren't going to stop coming, plus I'm always going to see them out of curiosity. I just feel the same about The Lion King as I have about several others. It boasts groundbreaking special effects to bring this stuff to life, but it loses the heart and soul that made the original films so wonderful. I just left this feeling cold and wishing I just watched the gorgeous 4K remaster of the original instead. 


I remember when I'm going through the Disney classic animated films for the first time (Which I'm still working through), I watch them and think I can't wait to watch them again, but with all three of the live-action remakes so far this year, the last thing I've wanted to do is see them again. I have faith Disney will hopefully do something interesting once they've burned through their library of films to remake. Hell, maybe even the inevitable sequels to the live-action remakes will at least do something different with the story and take them to uncharted territory. As for now, we're just continuing to rehash old stories to depressing effect and it's a shame, as I know Disney are much better than this when they want to be.  

5/10 Dans

The Lion King is out now in cinemas in the UK
Watch the trailer below:

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Saturday 6 July 2019

Spider-Man: Far From Home (2019) - Review

Review:

*Originally written July 6th, 2019*

Far From Home is probably exactly what this series needed after the massive and heavy epic that was Endgame. I wasn't sure what to expect from this, as after Marvel followed up their nearly as huge Infinity War with the massively average Ant-Man and the Wasp, I was expecting something along those lines, but this surprised me in several ways I didn't expect.

Following from the events after Endgame, humanity has pretty much recovered from everyone returning to life after Thanos' snap and things are pretty much back to normal. It does also answer some lingering questions about the implications of bringing all these people back to life when people had moved on in the mean-time. Parker returns to college and his school trip to Europe is interrupted (Obviously) by some elemental demons being hunted by Jake Gyllenhaal's Mysterio and Nick Fury looks to Spider-Man to live up to Tony Stark's name.

Far From Home manages to balance things a lot better than I'd imagine. Peter progresses a lot here as he struggles with both living up to the hero Tony Stark was and dealing with his new responsibilities  while also wanting the normal life of a teenager by attending school and getting a girlfriend. The awkward John Hughes inspired teen stuff from the first film is thankfully intact, as the awkward chemistry between Peter and MJ make for some of the funniest and surprisingly sweet scenes in the film.


While there are huge CGI set-pieces, Far From Home is pretty much character focused first, which I always appreciate. We spend lots of time with Peter as he struggles with his responsibilities and it shows in Holland's ever growing performance as Spider-Man, who is just the right amount of awkward, smart-mouthed and easy to root for. At this point I'd say he's definitely surpassed Tobey Maguire in the role and easily Andrew Garfield's weird, almost special needs like Marty McFly impression he bought to the misguided Amazing Spider-Man films. 

A lot of these MCU films also suffer from humour problems, but the tone works really well with these characters. It makes sense that teenage characters would take things a little less seriously and be cracking a joke every now and then, it also helps a lot of the writing seems to be a lot stronger than the usual stuff we get in these films and the hit rate is also a lot stronger. Not everything lands, but some of the funniest stuff of the whole series is in here, especially the two absolutely gold post-credit scenes. I wish the MCU would keep tone down the humour a bit and leave it to separate films like this, as hearing middle-aged men making the same quips you'd here from teenagers is one of the main reasons I find the jokes in these films so cringe, but in the context of a high-school setting, it works.

While none of the action is massively spectacular, it still has a lot of energy to it, while it sadly amounts to big CGI things hitting each other. The more interesting set-pieces are saved for Mysterio's mind tricks, which creates a sequence so zany and out-there, it was close to Doctor Strange in terms of mad imagery and it made perfect use of the character to create that scenario for Spider-Man.

Mysterio himself is a little bit of a mixed bag. Jake Gyllenhaal utterly commits to such a barmy and crazy character, bringing a lot of his usual charm and charisma to the role, he honestly steals every scene he's in, but I just wish they spent more time with his motivation, which honestly isn't the most convincing. It connects to previous MCU films in a fun way and the reveal might divide fans the same way Iron Man 3's twist did. While his motivation isn't the best, the film certainly got more interesting once his intentions are clear and leaves Gyllenhaal much more room to ham it up to incredible effect. 


Far From Home is another excellent film from the MCU (Who are also 3 for 3 this year), it ups everything I loved about the first one, continues to develop Spider-Man in new and interesting ways, while delivering a screen-grabbing, but flawed villain. Looking forward to how the third film wraps up this trilogy, especially with THAT post-credit scene.

8/10 Dans

Spider-Man: Far From Home is out now in cinemas in the UK
Watch the trailer below:

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Star Wars Jedi: Fallen Order (2019) - PS4 Review

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