Showing posts with label tom hanks. Show all posts
Showing posts with label tom hanks. Show all posts

Saturday, 22 June 2019

Toy Story 4 (2019) - Review

Review:

*Originally written June 22nd, 2019*

Everything about this sequel reeked of a bad idea. The idea of continuing this series after the perfect ending the third gave us was misguided and felt like nothing less than a cash-grab, then a series of underwhelming trailers prepared me for the worst. My expectations for this were at an all-time low, but that small part of me quickly gained a little bit of excitement for a new Toy Story a few days before I saw this, but like I said, my expectations were weary at best.

I was pretty astounding at how good this turned to be. They did it, those crazy sons of bitches did it. It might not reach the delirious heights of 2 and 3, but Toy Story 4 gives us an emotional, powerful ending to these characters I didn't know I needed. It's not perfect by any means, but it comes very close and feels far from the cynical cash-in I expected.

Like the previous films in this series, it has a huge focus on character over fast paced set-pieces, which is what elevates this franchise above all the over Disney/Pixar franchises for me. It's never afraid to slow things down and spend time with these characters and how they tick, what motivates them and what their purpose in life is.

It was pretty insane and surprising to me at how deep they go into the themes of existentialism. Don't get me wrong, this obviously isn't some art-house meditation on the human condition, but for a kids film, it's not afraid to go places most wouldn't even try to as these toys try to figure out what they purpose is in this world. Are they here just to bring joy to children in an endless cycle of being loved and eventually rejected or were they made sentient to follow their own path and create their own dreams.

Mainly the focus is on Woody, who's existence comes into question with the introduction of "Forky" a new toy made out of trash from their new owner Bonnie. Once Forky is made and declared a toy, he springs to life and struggles to adjust to the idea of even existing. It's kinda fascinating to me that a character made out of a plastic spork was so relatable to me. He spends the opening act believing he's trash and the only place he belongs is in a garbage bag before Woody explains to him the meaning of being a toy.


Except answering Forky's questions about their existence brings Woody's whole being into question as he struggles to move on from memories of Andy and realising his blind devotion to his new owner might not be the thing he wants the most. Along the way he's coincidentally reunited with Bo Peep after being given away between the events of the 2nd and 3rd films, dividing his motivations even more.

It all leads to a soul-crushing ending that left me far more floored than I couldn't prepared myself for. There's a few minor emotional beats throughout that I thought would be as hard as it goes, then it just pulls the rug out from under you in it's final moments. I'm really on the fence at whether this was a more powerful ending than the already beautiful finale of Toy Story 3, but in all honesty, that didn't resonate with me until rewatches. God knows how this one will effect me if it grows on me as much as that did. Hell, I'm even considering this might be my favourite film of the series in future. Time will tell. I also said this about 3, but based on this ending, I do not want another at all.

I can't believe I'm writing this sort of thing about a kids film. It's truly rare we get a film like this with such rich character arcs, motivation, depth and emotion, but Pixar just manage to pull it off again and again. On a technical level, they also manage to push the envelope. The near photo-realistic animation is a marvel to look, it's constantly gorgeous and always varies with its settings, colour palette and details. After rewatching the trilogy last week, it's insane how far the animation has come from the first, which has not aged well in terms of animation in some regards. I cannot wait to watch this in 4K when it releases. 

My only real complaints here are that some of the main characters are given very little screen-time or reason to be there. While Buzz does share the most emotional scene of the film, the rest of his role is very reduced and he does very little as him and Jesse are sidelined in a side-plot focusing on them finding Woody, while characters like Rex, The Potato Heads, Slinky and more feel like nothing less than extended cameos for the most part.

While this is disappointing, it is definitely worth mentioning that the new characters are definitely worthy additions and earn their screen-time. From the new and improved Bo Peep, who is a lot better than you remember from the first two films, Keanu Reeves' scene-stealing French-Canadian motorbike stuntman "Duke Kaboom", Key and Peele's two conjoined stuffed bears and a series of really, really creepy old fashioned dolls. Everyone new leaves a very strong impression, almost making the lack of Buzz and Jesse worth it. 

After a series of underwhelming franchise films so far this year, Toy Story 4 defies the odds and comes out as one of the best films I've seen so far this year. I'm not even sure if it's a coincidence that my two favourite films of the year so far have been had Keanu Reeves in it (No prizes for guessing what the other one is), but he's picking his projects pretty well these days. 


Despite being completely unnecessary on paper, Toy Story 4 is a completely pleasant surprise. A funny, emotional and devastating ride that made it worth bringing back these iconic characters for one last ride. Nothing prepared me for how much I'd like this, but my love for this may continue to grow with each watch and I already can't wait to see it again. 

9/10 Dans

Toy Story 4 is out now in cinemas in the UK
Watch the trailer below:

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Wednesday, 24 January 2018

The Post (2017) - Film Review

Review:

*Originally written January 24th, 2018*

Let's be honest, Steven Spielberg is not the filmmaker he used to be, his glory days of Jurassic Park, Indiana Jones, Schindler's List, Jaws and Saving Private Ryan are long behind him. He nearly managed to achieve that level again with  the excellent Bridge of Spies, but most of his recent output have been duds like Lincoln, War Horse and The BFG. 

The Post is sadly another dud and misfire from the once great director. Everything about this film is just a mess. A lot of this i felt was similar to Darkest Hour, another piece of dull Oscar Bait for 2018 awards. You have a potentially tense and engaging story wasted in such a by the numbers and bland drama.

The performances are fine for the most part, although a lot of the supporting cast (Made up entirely of actors from the best TV shows of the last few years) are completely wasted with thankless roles. Tom Hanks is completely fine and comfortable in the role, it's not entirely memorable and his character isn't very interesting, but he's fine. Meryl Streep however, I found to be terrible, almost borderline school play acting. It didn't help that the female characters were so underwritten, despite the prominence in the story and place in history.


A story like this could have been full of tension, instead it's just 
 painfully dull and a chore to get through. Spielberg does actually use some very interesting camera work throughout the film, which shows me there's still a bit of greatness in him, but he just seems to have faded in talent with his old age, much like Clint Eastwood. 

There are moments towards the end where things could have got interesting or had some tension, but instead succumb to the worst of Spielberg's traits. Characters overact and do stupid stuff like drop everything on the floor while they make a phone call because they're so under pressure, it just felt ridiculous and drama for the sake of drama. I also wish we'd actually seen the courtrooms scenes at the end and seen the reporters defend themselves, instead it just... ends.


There's an important message of freedom speech for the press (Which I agree with), but sadly it's buried under a workman like dull drama that's desperate to hit those sweet spots for Oscar voters. Based on yesterday's nominations, it sadly worked. Spielberg has Ready Player One later this year and I really hope that captures the Spielberg magic and wonder that has been so desperately missing for as long as I can remember.

4/10 Dans

The Post is out now in cinemas in the UK
Watch the trailer below:

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Wednesday, 10 January 2018

Sully (2016) - Film Review

Review:

*Originally written December 2nd, 2016*

Much like every film Clint Eastwood has directed in the past ten years, Sully left me cold with its flat and lifeless direction of a true life story. It truly was a fascinating true story, but thanks to Eastwood, it all just felt very pedestrian.

Tom Hanks bring some life to Sully, the titular pilot of the film who landed the fated flight into the Hudson river and saved everyone on board. The problem was that Sully just wasn't an interesting person, at all. He's such a bland, straight-laced person. Which I suppose might be the point, but it doesn't make for a very compelling lead character. Either way, it's just impossible to hate Tom Hanks.

The narrative is told through a very weird and non-linear timeline. We jump from pre-crash, to crash. to post-crash in a very messy way with no sense of pace. In the middle of the film we get a half hour flashback to the actual plane crash, which comes out of nowhere. Sully's sitting in a bar, then we get a scene that takes about a third of the film. None of it flowed well at all. Reminded me a little of Batman V Superman.

Aaron Eckhart really does steal the show with his magnificent moustache. It really was a wonder to look at. He gets some of the films funniest lines and brings levity to the situations, although he does have the last line of the film, which was one of the weirdest and most abrupt ending I've seen all year. It ends on this weird punchline and everyone erupts into laughter for what seems like an eternity, like it's the funniest thing they've ever heard, then it just quickly fades to black and ends. It was bizarre.


At the very least, the actual landing scene carries a certain tension and feels real. Although a lot of the passengers were annoying. This was the closest Sully got to the something great, but then they ruin it by showing the crash twice in two separate sequences. It was meant to show one scene from the cockpits point of view and then the passengers, but showing it twice really dragged things out and it lost all its impact the second time. I feel it was only done to drag out the very short 90 minute run-time.


There really is nothing special about Sully, it's not without its moments and Tom Hanks gives a usually reliable performance, but it just felt like another one of those flatly directed, bland and Oscar baity biopics.

5/10 Dans

Sully is out now on 4K UHD, Blu-ray and DVD in the UK
Watch the trailer below:

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Friday, 30 June 2017

The Circle (2017) - Film Review

Review:

*Originally written June 30th, 2017*

"Transparent"

I'm pretty in shock and what I've just seen, but for all the wrong reasons. Labeled as a "Netflix Original" in the UK, it really earns it place as another piece of garbage to add to Netflix's horrific library of mostly terrible original films among their much better TV content.

The Circle is a huge misfire and a waste of everyone involved. There's a genuinely interesting story here, with some very strong and relevant themes that are squandered in such a lifeless mess. From its cringey dialogue its abhorrently lazy ending, The Circle is just 110 minutes of wasted potential.

Emma Watson's character is horrific, despite giving an okay performance. Her character changes opinion from scene to scene with no real rhyme or reason. I feel like there is a director's cut somewhere that actually fills in why Watson does the stuff she does. 




Its themes of online privacy are done in such a heavy-handed, naive and transparent way. It feels like a poorly done episode of Black Mirror. Black Mirror was never a subtle show, but this makes it look like deep arthouse. The script feels like it was written by young teens writing an essay about cyber security. It's filled with so many cringey and embarrassing things.

It's weird I mention that it felt like it was written by teens, because this does feel like a YA novel adaptation at times. It's all so lame and millennial. It feels like its trying to be a smart film for dumb people. Which it is. The Circle thinks it's a smart film, but its not. It's retarded. Almost like an after school special on "The Dangers on Online Security and Privacy".

Some moments have some real tension and life to them, but are made pointless by the Watson's bipolar character changing her mind every few scenes for reason. Annoyingly, The Circle never really takes a side, it lands on one at the end, which is one of the laziest things all year, they shove viewpoints as to the pros and cons of all of it, but they never really explore anything. It's all very hollow and boring, complete with flat and lifeless direction. This film was made by a real jobber.




I almost completely forgot to mention Tom Hanks and Bill Paxton (In his final role) are in it. Hanks is you know fine, doing his Hanks warm thing, but Paxton was decent as Watson's disabled father. I wish he got a better film to end his career on, but sadly, that's not how the world works.

The Circle is pathetic, a heavy-handed, childish and poorly done excuse for a cyber thriller that wastes some true potential. The most you'll likely get out of this is a few cheap laughs at the cringey dialogue.  


3/10 Dans

The Circle is streaming now on Netflix UK
Watch the trailer below:
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Star Wars Jedi: Fallen Order (2019) - PS4 Review

Review: *Originally written November 19th, 2019* There's no denying that EA has had a bad run with the Star Wars franchise since i...