Showing posts with label peter berg. Show all posts
Showing posts with label peter berg. Show all posts

Tuesday, 25 September 2018

Mile 22 (2018) - Film Review

Review:

*Originally written September 25th, 2018*

Peter Berg and Mark Wahlberg have come together to make some of the most entertaining Hollywood films about real life disasters in recent years, so I was pretty interested in them teaming up for a fictional action film. Sadly, the results are for from great. In fact it's a completely disaster that wastes any potential it had.

Mile 22 is a complete mess on all fronts. A jumbled mess of poor editing decisions, horrific performances and laughably bad dialogue. I never saw this coming. At the very least I expected a throwaway action film in the vein of Olympus/London Has Fallen or American Assassin or another genuinely thrilling film from duo. I didn't even get anywhere close to that.

I was more reminded of David Ayer's Sabotage, which I kind of appreciated for its unhinged brutality and utter obnoxiousness of douchebaggery. Mile 22 suffers from that same problem of a completely unlikable cast, but at least Sabotage had a decent Arnie performance, well shot action and an engaging mystery at the centre of it. 

I could not get over how irritating Mark Wahlberg was in this. His character is a maniac. Talking like he's done 4 grams of coke in less than 5 minutes and does not shut the fuck up. Every moment of dialogue with another character feels like in a video game when you skip through the dialogue and only hear snippets of the conversation. It's barbarically annoying and failed to make me take in what anyone was saying. Then Wahlberg's character had a tick of snapping an elastic band round his arm (Which I do too) as a way of dealing with stress or anxiety. 

That's pretty much all we learn of Wahlberg's character through the entire run-time, which is only 90 minutes, so they blast us with his entire backstory during the opening credits, which was just such a cheap and lazy way of doing things that I'd pretty much checked out already.


The rest of Wahlberg's special ops team fare the very same. Completely underdeveloped with no personality of their own. Aside from Lauren Cohan's messy and unnecessary divorce subplot (Which I can only imagine was added to make this thing stretch out to a marketable run-time), I could not tell you a single thing about this team. Ronda Rousey is utterly atrocious, with strange and stilted delivery, making me nearly burst out laughing at every attempt of her "Acting". A problem with not bothering to get you attached to these characters, is that when they start dying and they get their "Hero" death moments, you really don't care and these explosive death moments are just met with a collective shrug.

The minor highlight is within The Raid's Iko Uwais, who seems to have a hard time working with English material, but always manages to exceed when it comes to all the martial arts stuff. He's one of the few bright spots of Mile 22 and I hope he continues to get roles in bigger stuff that deserves his practical skills.

It's a shame that Uwais's martial arts skills are utterly tarnished by some of the worst editing I've seen in a Hollywood film since Taken 3. There are flashes of excellence in the action and there is some really gnarly stuff here (It earns its rare 18 rating that we don't get enough of these days), but it's hard to enjoy when they decide to add 6 different cuts into a mere second of footage. It's so disorienting at makes things so hard to follow and some of later action scenes did such a poor job of spacial awareness that I had an awful time figuring out where everyone was in the area. 

I could argue that I had a good time with Mile 22 though. It is so gun-ho, batshit and insane with its poor script and dialogue that I was on the edge of my seat with what utter nonsense was going to happen next. And in that way I was pleasantly surprised, just when I thought the film couldn't get any worse, it just managed to top itself, again and again. Even making way for the second best twist of the year, right behind Den of Thieves. It even sets up a sequel in a similar way. The only difference is that Den of Thieves is actually going to get to tell the rest of its story, no chance in hell will Mill 22 get to.


God bless cinema. It's both alive and dead, while Mark Wahlberg and Peter Berg are just dancing around in the dried out hollow corpse of cinema to make garbage like this. Good luck next time, guys. I know you have better in you.

3/10 Dans

Mile 22 is out now in cinemas in the UK
Watch the trailer below:

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Sunday, 23 July 2017

Deepwater Horizon (2016) - Film Review

Review:

*Originally written October 6th, 2016*

"Water way to have a good time"

I have a good history with disaster films. I grew up watching them and loving them. Peter Berg’s films on the other hand…. I hated Battleship (like most) and I found Lone Survivor to be a shameless army recruitment film that cashed-in on the lives of soldiers that were lost. Deepwater Horizon is another story. It’s a heartfelt and powerful action drama that pays tribute to the victims of this avoidable incident and gives us some pretty spectacular, but not gratuitous action. Films like this draw a thin towards being “destruction porn” which makes light of tragedy by giving us bombastic action with none of the substance, and that can be taken as tasteless. Deepwater manages to deliver its explosive action and gives us characters to care for. Making Deepwater Horizon compelling viewing.

Mark Wahlberg is front and centre here and he’s as reliable and lovable as he always is. It’s almost impossible not to love that goofy little face and childlike eyes. We’re given the most time with his character, with the opening scenes building up the relationship with his daughter and wife, which rings true and brought an emotional core to the film. It even made way for a very emotionally devastating finale that gave me a gut-punch I never would have expected from a film like this. Wahlberg’s performance in the final moments reminded me of Tom Hanks in the excellent Captain Phillips from 2016. The rest of the cast fare well too. Kurt Russell stands out and John Malkovich gives a strange accent, I’m not entirely sure what he was going for?


Malkovich is also the closest thing Deepwater Horizon has to a bad guy, but he’s really not, he’s just an arrogant guy who makes a mistake. A fatal mistake, but a human mistake. I really liked that about how it was handled, they easily could have given a cartoony bad guy we all wanted to see die, but we didn’t and there’s was a very quick shot of Malkovich that showed in his face the horror and regret of what had happened over the events of the night. It was minor, but it bought a lot to the character. Deepwater briefly explores who the blame was for this incident, but only in fleeting moments, I wish that was explored a little more.

While the build-up to the actual disaster is earned, when things kick-off, it is non-stop. Once that explosion happens, you don’t get a chance to breathe and it has some of the best design and action I’ve seen in 2016. The sets are detailed and feel real, the explosions look genuine and dangerous. I’m sure CGI was used, but everything looked and felt real. The sound design is also wonderful, the score from Steve Jablonsky was really good too, it delivered emotion and intensity without feeling manipulative. Everything mixed together to make for a truly spectacular and beautiful spectacle. While it feels a bit wrong to call a film about a tragedy “Beautiful”, Deepwater Horizon is beautiful. There is breathtaking cinematography in the latter half of the film, the fire was great to look at. The whole film has a gritty and realistic feel to it, but it doesn’t lack in style and visceral action, which is one the few things I agree Berg had a knack for in Lone Survivor. I feel he’s really improved as a director between this and Lone Survivor and I can’t wait to see his next film ‘Patriots Day’ which is about the Boston Bombings and also stars Mark Wahlberg and is out later this year.




Peter Berg directs the hell out of this film, delivering a truly intense, but heartfelt memorial to the victims of the event. Deepwater Horizon is the best disaster film of the year. A powerful, well acted and intense action drama that never feels dishonest and exploiting that tragedy, but instead pays tribute to those who were lost.

8/10 Dans

Deepwater Horizon is out now on 4K UHD, Blu-ray and DVD in the UK
Watch the trailer below:

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Star Wars Jedi: Fallen Order (2019) - PS4 Review

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