Showing posts with label darren aronofsky. Show all posts
Showing posts with label darren aronofsky. Show all posts

Friday, 19 January 2018

Requiem for a Dream (2000) - Film Review

Review:

*Originally written June 3rd, 2016*

This is the first time watching this since I saw it on TV late one night when I was about 7. Yeah.... I was way too young to have watched something like this, but hey, whatever, that was my childhood, a mismatch of images I remember from films far too graphic. At least a lot of Requiem for a Dream stuck with me for 12 years now, the disturbing imagery, the ass-to-ass dildo scene, the arm being cut off. It all stayed in my brain for many, many years.

I'm not sure what took me so long to rewatch this, it's something I've wanted to watch as an adult for a long time now and for whatever reason I never got round to buying the Blu-ray (still haven't), but I saw it was added on Netflix and knew it was time.

This interwoven tale of 4 different drug addicts is harsh, brutal and really not for the faint of heart. Honestly, I was a little disappointed, while effective and disturbing, it kinda came off as the worlds longest anti-drug advert. It feels very heavy handed at times, kinda like what 'Flight' did for alcohol.

 I was interesting in exploring some of Jared Leto's earlier acting roles as his debut as The Joker in 'Suicide Squad' gets closer and closer. He is pretty damn good here, his character is probably the most unlikable out of the four leads, but he's good.


Darren Aronofsky (A director I really admire) creates a dirty, disgusting world where all these characters go on a journey into the heart of darkness. This is one of the bleakest films I've ever seen, not a single character ends up in a good place by the end of this. Strangely enough, the editing style of this is something that Edgar Wright later uses in his films, which took my by surprise. It's filmed in that grimy '90s music video aesthetic that works and makes for a visually unique film. 

I did like the balance of all the characters and the journey they do all go on, each going to different and horrific places. One losing their arm to infection, another ending up in prison, another ending up selling her body to pay for drugs in the sleaziest orgies imaginable and finally one ending up in a mental facility. 

I guess that's why this is a hard watch for a lot of people and a hard films to recommend to anybody. While I did like it and it does work as a great anti-drugs films that should probably be played in schools. It does at times feel like a 100 minute equivalent of Mr. Mackey from South Park telling you "Drugs are bad. M'kay?"


For better or worse, Requiem for a Dream is a powerful, depressing and stylish look at the effects of drugs and an important film, but it's heavy-handed message keeps it from truly being amazing.

7/10 Dans

Requiem for a Dream is out now on Blu-ray and DVD in the UK
Watch the trailer below:

Follow us:
Twitter: @FigmentReviews and @ArronRoke91
Instagram: @thesurprisingadventuresofdanb and @ArronRoke
YouTube: Figment Reviews 
Letterboxd: Dan and Arron

Facebook

Sunday, 17 September 2017

Mother! (2017) - Film Review

Review:

*Originally written September 17th, 2017*

"Home is where the heart is"

Jesus, where do I begin with mother!? Darren Aronofsky's latest film and BY FAR his least accessible yet. I'm at a loss for words. With no hyperbole, mother! is one of the most batshit, insane and twisted pieces of cinema I've ever witnessed. I don't know where to begin reviewing this, but I'll try my best.

Things start of intriguing and simple enough. An unnamed married couple known as Mother (Jennifer Lawrence) and Him (Javier Bardem) are a married couple with a hell of an age gap. Him is a poet with writer's block and Mother is a homemaker rebuilding Him's home. Their lives are put through a loop as more and more strangers start to arrive at their home and things escalate. I won't spoil anything, as knowing literally NOTHING, made for a hell of a shell-shocking experience.


This is easily one of the most out there and least mainstream film I've seen come out of a studio. I think the entire audience in my showing hated it (One cunt in my screening even stood up at the end and "Said did anyone actually enjoy that?"). It's so bizarre and a lot of stuff is up to interpretation. It was art-house horror on a studio budget. It's a risk that I'm amazed and proud a studio would make. Whether it pays off in the end will be another question.

Darren Aronofsky's direction is assured and precise as it comes. The whole film takes place within the house and Aronofsky uses lots of close-ups to keep that feeling of claustrophobia. He also uses rich symbolism and deeply disturbing imagery as things unfold, getting more chaotic and crazy by the second until it explodes into the final act. His control over the direction of the final scenes are one's of controlled chaos at its finest, the camera sweeps around in long takes and will leave you in shock. I was also surprised by the lack of score mother! had, rather than music, tension and that unsettling feeling are delivered through excellent sound design that really, really worked for the atmosphere.

While it being two hours in a single location does sound daunting. It's always interesting and feeling like it's building to something. There was not a moment where I wasn't fascinated by where this was going. I'm not entirely sure what everything meant though, this is a film that is going to need a lot of careful rewatches to fully "understand" it and interpenetrate it, if that is even possible. 


I gotta mention what a trooper Jennifer Lawrence is here. This is definitely the best performance of her career. She goes all in, giving a Rosemary's Baby style descent into madness and she nails it. I could really feel her frustration as more and more people would enter her home and make her feel uncomfortable. She goes through hell too. Some of the things she has to do towards the end, I can't imagine many actresses agreeing to do that.

The rest of the cast are great too. Javier Bardem gives a suitably creepy performance that keeps you on edge as you slowly see his behaviour get more and more insane. Ed Harris and Michelle Pfeiffer are also fantastic as the first people to arrive at the house. There's also some surprising faces that turn up throughout the film that I won't spoil.

I've danced round talking about the final act of mother!, but I have to address it (No spoilers though). The last 30 minutes are just chaos. Some of the most disturbing, grotesque and heart-pounding moments in cinema I've ever experienced. I just sat there in disbelief and awe at the insanity unfolding in front of me. It takes a lot to drain me like that, but when the credits rolled on mother! I just wanted a cigarette and a long walk.


Darren Aronofsky might have had a misstep with 'Noah', but he's back at it again with another masterpiece that is for the few and not the many. It's bizarre, insane and massively demented. A film experience I will never forget and one I will be revisiting frequently.

10/10 Dans

mother! is out now in cinemas in the UK
Watch the trailer below:

Follow us:
Twitter: @FigmentReviews and @ArronRoke91
Instagram: @DanBremner96 and @ArronRoke
YouTube: Figment Reviews 
Letterboxd: Dan and Arron

Facebook

Star Wars Jedi: Fallen Order (2019) - PS4 Review

Review: *Originally written November 19th, 2019* There's no denying that EA has had a bad run with the Star Wars franchise since i...